I'm sorry - you seem to be very misinformed about what reamping is. I used to record my self in a car many years ago - didn't actually use an amp - but the acoustics of a small space full of things that rattle isn't ideal. Or do you simply mean that you need to hear a real amp while tracking? This is where amp sims like Sansamp are fantastic - or little battery amps or practice amps that can give you all the sustain and feedback you need at lower volume. It's been used by countless big name rock artists for exactly this reason - you blast an amp far louder and harder at a time and place that suits. Reamping is totally about driving real amps into overdrive, if that's what you want. thank you.I'm sorry - you seem to be very misinformed about what reamping is. I need a Fender amp pushed into over drive. I've played this song 200+ times live and I'm trying to capture that groove. The plink, plink plink of an electric guitar strings going DI and then reamping won't work for me. So you have recorded an amp in a vehicle and it sucked, or you think it should suck?
You might want to buffer it with a booster or compressor pedal.Kiwi. It's not ideal - send at mic level and using the DI to boost the voltage back up - it's sort of asking for noise and for cable loss issues. If you need to do it live, then I would still use a reamp box, but instead of sending at mic level with a DI I would send at line level using a preamp (with or without the DI as necessary).īut this is a time when I think it might be ok to use two identical passive DI boxes, one backwards. Why not just reamp - track your DI guitar, and then reamp later on your studio, which hopefully is better suited to tracking than your SUV. Hold on - placing your amp in your SUV is bound to suck totally.
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